Peter max art style

At first, works in this style appeared on posters and were seen on the walls of college dorms all across America. Max then became fascinated with new printing techniques that allowed for four-color reproduction on product merchandise. Peter Max's childhood began when he and his parents fled Nazi Germany, Berlin, Germany in to escape the Holocaust and traveled to Shanghai, China, where they lived for the next ten years.

They lived in a pagoda-style house that overlooked a Buddhist temple, where Peter would observe monks painting calligraphic images with large bamboo brushes on large sheets of rice paper. In , the family departed on a ship that took them on a 48 day sea journey around the continent of Africa and arrived at the port of Haifa, right after Israel had attained its statehood.

They lived in Haifa for two years, and while Peter attended grade school, he simultaneously developed an interest in art and astronomy.

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His parents supported his interests by sending him to private art classes with a Viennese expressionist painter, Professor Honick, as well as weekly classes in astronomy at the Technion Institute on Mount Carmel. From Israel, the family continued their journey westward and stopped in Paris for several months. While he was impressed by the works of the European Expressionists and Fauvism, he was particularly fascinated with the paintings of William-Adolphe Bouguereau, who was a traditionalist, renowned for his photo-realist style.

The influence of Bouguereau, and later, John Singer Sargent, were instrumental in motivating Peter to take up realism when he began his formal art studies at the Art Students League of New York. Reilly, whom he had considered a master of light and shadow. Reilly himself had studied at the League alongside of Norman Rockwell, under the tutelage of George Bridgman, who was considered to be one of the great anatomists of the 20th century and taught at the League for 45 years.

Daly and Max were joined by friend and mentor Don Rubbo, and the three worked as a group on books and advertising. The album art won a gold medal from the Society of Illustrators in With the use of photographic images as elements of collage, Max organized the Bettman Panopticon exhibition utilizing the antique photo content of the Bettman archives.

It was considered one of the most avant-garde exhibitions of the New York graphic arts scene. His interest in Astronomy led to his Cosmic 60s period by way of art posters.